No one knows what the future holds for young Ryley Walker. Cooper Crain (Cave, Bitchin' Bajas), de-facto producer of the record, encouraged Ryley to use the extra studio time to bang something out, and this brilliant piece of Anglophilia emerged as the album's closer. Side B closes with a bit of tossback: "Hide In The Roses", the only solo jam included herein. it was written after his first LP, All Kinds of You, was finished, but the name seemed to fit that collection of songs better than anything else. "All Kinds Of You" is the oldest song included here. Stuck crashing in a busted, unheated old house in New Orleans Ben sunk into a depression, Brian drank and Ryley drank, but also managed to turn out this ode to the rambling life. "The High Road" was written while the trio of Ben, Ryley, and Brian Sulpizio (guitar) were on tour, opening for Cloud Nothings. It's hard not to recall John Martyn's early 1970s work, though Ben Boye's piano work is particularly revelatory here. "Sweet Satisfaction" presents some of Ryley's most intricate and ecstatic fingerpicking. Unlike the idyllic memories of christenings under the weeping willows while a crowd looks on happily in their Sunday's best at the healthy young catechumens the river was brown and polluted, and the participants dirty and tired and disinterested. It's an ode to the immersion baptisms Ryley's witnessed while walking along the banks.
Side B sets off with a shot of Americana, "On The Banks Of The Old Kishwaukee". Drummer Frank Rosaly pushes the song further and further until it borders on a cathartic meltdown to close out Side A. "Love Can Be Cruel" spends almost two minutes "out" before becoming the song it was originally intended to be. Griffith Buck was named for a local artist and eccentric botanist in Ryley's hometown of Rockford, Illionois who has likely had few other songs named for him. "Griffiths Buck's Blues" was almost jettisoned but a thumbs-up from Jason kept it in the repertoire. A 5-day stretch in Austin, mostly staying on Lechuguillas' Jason Camacho's tile floor with no blanket in a room barely large enough for one yielded most of the rest of the lyrics. It was kicked around in rehearsal until taking its shape as a drifting bit of dreamy jazz. A forgotten roadside hotel in Tennessee yielded one song, "Same Minds", with just a hint of self-loathing.
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Contained here is the flawless conclusion, but reference the live set to experience the full possibilities of this anarchic work. It was written in a dressing room in upstate New York, but perfected in rehearsal, veering between a six and ten minute epic. "Summer Dress" is liftoff: seizing the mantle from Tim Buckley's Starsailor and perfecting its frantic jazz-induced fits. "Primrose Green" is a colloquial term for a cocktail of whiskey and morning glory seeds that has a murky, dreamy, absinthian quality when imbibed, and a spirit-crushing aftereffect the morning after.
Patrick's Day spent in Oxford, Mississippi. The title track "Primrose Green" was nearly discarded after its incarnation on a bleak St. Bits of lyrics were improvised into full-blown songs in the studio, more often than not on the fly. The band is a mixture of new and old Chicago talent, blending both jaded veterans of the post-rock and jazz mini-circuits together with a few eager, open-eared youths.Ryley didn't have much time to write this LP, so some of it he didn't. The title sounds pastoral and quaint, but the titular green has dark hallucinogenic qualities, as does much of the LP.
That's as much a testament to his roving, rambling ways, or as to the fact that his Guild D-35 guitar has endured a few stints in the pawnshop.Primrose Green begins near where All Kinds of You, his last record, leaves off but quickly pushes far afield. Ryley Walker is the reincarnation of the true True American guitar Guitar player Player.
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